Spirited Away, Miyazaki's depiction of society
Through this journey through the spirit world, the Japanese director takes a critical look at our current world.
By Angelo Simoes
A dreamlike journey
Released on 20 July 2001 in Japan and officially on 10 April 2002 in France. In this Japanese animated film from Studio Ghibli, the famous director Hayao Miyazaki transports us for 124 minutes into a dreamlike world mixing criticism of society and the passage from childhood to adulthood through the main character Chihiro. Let's start with a brief synopsis of the film to refresh our ideas or for those who have not seen this famous japanese film. At the beginning we follow little Chihiro and her parents on their way to their new home following a move. Getting lost on the way, they find themselves in front of a strange tunnel which they decide to cross. Thinking they are in a meadow with an abandoned amusement park, the parents spot an unattended stall with plenty of food, so naturally they decide to help themselves without permission. It is this same food that will turn them into pigs under the helpless eyes of little Chihiro. While trying to escape, believing that she was only living a bad dream, she meets a young boy named Haku who explains to her that she is stuck in the spirit world.
The parallel with our reality
Hayao Miyazaki offers us several levels of reading, from a simple cartoon for children where we follow the adventure of a little girl in a strange and fairy world to an animated film that is a metaphor for today's society. During the film Chihiro finds herself working for a money-hungry witch named Yubaba who is the owner of a public bathhouse. In this establishment Miyazaki portrays the world of work, particularly in Japan, and its alienation by portraying characters who are on the verge of slavery. Chihiro finds herself having to face the reality of the world in which she lives as well as the problems encountered by adults, something that is complicated for a young child of 10 years old, but it is with courage, determination and by assuming her responsibilities that she will succeed in growing up just like the viewer. Another subject put on the table during this film is consumption and especially excess. First represented by Chihiro's parents turning into pigs after having swallowed huge quantities of food not meant for them and then by the introduction of a character called "faceless" symbol of hyperconsumption by his limitless appetite but without real need. Unfortunately he will be confronted by our protagonist who will remain unmoved by him despite all the riches he possesses.
At the end of the story, Chihiro's perseverance will allow her to return home with her parents safe and sound and with amnesia about what has just happened, suggesting that it was all imagination.
Miyazaki, mainstay of Japanese animation
Co-founder of the famous Studio Ghibli with his peer Isao Takahata in 1985, he will know throughout his filmography through stories in fantastic or not worlds told to us and put forward themes that are dear to him such as pacifism, human greed, environmentalism and other societal problems. Let's go back together on his creations.